Citation :
« Patriotism, Part One depicts an army of phallic, bun-clad wieners marching on a vulnerable sleeping white male body, naked save for a sheet. [...] In this light-hearted, and by early twenty-first-century standards hackneyed, allegory of US neo-imperialism, the hot dog is not just a sign of US culture passively consumed by Canadians, but rather a phallic sign of a penetrating US multinational capitalism. »
-- Christopher Gittings

Source :
GITTINGS, Christopher E. Canadian National Cinema: Ideology, Difference and Representation, London, Routledge, 2002. [en anglais] (pp. 106-107)