Citation :
« In contrast to [Alanis] Obomsawin and [Duke] Redbird, Shelley Niro's film Honey Mocassin (1998) constitutes oppositional looking or counter-cinema to white cinematic representations of the Aboriginal Other by, for the most part, refusing to look back, by refusing to acknowledge the white colonial gaze. »
-- Christopher E. Gittings

Source :
GITTINGS, Christopher E. Canadian National Cinema: Ideology, Difference and Representation, London, Routledge, 2002. [en anglais] (p. 226)