Quote:
"In Water Sark (1964-1965) Wieland films kitchen objects (crockery, rubber gloves, a tea pot) as well as her own body to discover and define a feminine space."
-- Janine Marchessault

Source:
Marchessault, Janine. "Feminist Avant-Garde Cinema: From Introspection to Retrospection." In Gendering the Nation: Canadian Women's Cinema, edited by Kay Armatage, Kass Banning, Brenda Longfellow, and Janine Marchessault. Toronto: University of Toronto Press, 1999. (p. 139)